By MICAH J. MALONE Marcel Duchamp was always part of the market. Indeed, one can argue (and many have before me) that nearly all of Duchamp’s gestures were linked in one way or another to the economic machinery of his…
By EVE ESSEX The newest object in the Nightingale-Brown House collection was, until recently, their somewhat infamous Goddard “secretary” desk and bookcase. Adorned with ornate brass hardware and a formidable set of carved shells, this nine-and-a-half foot high cabinet–although it…
I’ve been struggling to write a review of “Legibility on Color Backgrounds,” the exhibition of Walead Beshty’s photograms and sculptures currently on view at the Hirshhorn Museum in Washington, DC. I can’t decide if the show is brilliant, too clever…
Artadia: The Fund for Art and Dialogue has announced the seven awardees for 2009 in Boston. The two awardees at the $15,000 level are Amie Siegel and Joe Zane; the five recipients of the $3,000 awards are: Claire Beckett, Ambreen…