Victoria Crayhon (Providence, RI), Untitled, Auburn, NY, 2010, from the series “Thoughts On Romance From the Road,” Archival inkjet print, 24 x 36 inches, courtesy of the artist We’re used to a certain type of photography in the New…
Browsing: Reviews
The Colombian artist Doris Salcedo has been trying since the 1980s to represent in sculpture the experience of trauma and violence. The plainness of her works, made of simple everyday objects, such as shoes and chairs, belies the intense experiences…
Unable to attend the opening of the Museum School MFA Thesis Exhibition at Tufts University Art Gallery, I saw the show on a rainy evening last week. Alone save for a few other visitors, I was relieved to find…
Wednesday night the MFA and Big Red & Shiny were proud to present the Odd Spaces panel discussion at the MFA Boston, following the group exhibition of performance art curated by Liz Munsell, assistant curator of contemporary art and MFA…
The most obvious benefit of belonging to an artist-run, coöperative gallery is stability regardless of commercial success. Artist-members can count on regular solo shows, and have no limitations when choosing what to exhibit, or how to present it. Reliable…
With the end of Big Red & Shiny’s first academic year quickly approaching, we’ve been taking stock of the past 8 months to identify our successes and re-evaluate where we’d like to have a larger impact. One part of our…
Waris Ahluwalia, 2011. Norman Jean Roy, photographer. © Norman Jean Roy. Courtesy of The House of Waris. If there were any doubts that men’s fashion has been the center of attention in recent years, let the museum at the…
David Hilliard The Tale is True (DH237) from A Tale is True 2012 Courtesy of the artist and Carroll and Sons, Boston. It’s only right that The Tale is True come to Boston’s Carroll and Sons Gallery. I’ve been…
Have you ever wondered how street furniture get selected, installed, and maintained? Things like benches, bus shelters, trash receptacles, plant containers, and bicycle racks are constantly present in our daily lives but rarely make a strong impression. Street furniture…
The opening reception of Toshio Shibata, Constructed Landscapes at PEM on Wednesday April 17 drew well over 200 visitors, from affiliated artists to friends of the museum (which includes, as it turns out, the consulate of Japan in Boston),…
The huge influx of artists and intellectuals from Europe to the United States during the world wars, which created what seemed to be a transfer of power from Paris to New York, is a well-known story. There are endless books…
With the end of Big Red & Shiny’s first academic year back quickly approaching, we’ve been taking stock of the past 8 months to identify our successes and re-evaluate where we’d like to have a larger impact. One part of…
The Gelman Gallery at the RISD museum turned into a personal exhibit space secret for me a while ago. Despite being located on the second floor of the museum, it is very easy to just get on the escalator and…
The curators of NYC 1993: Experimental Jet Set, Trash and No Star at the New Museum would have been in their early teens to early twenties in 1993. This may not be such an insignificant fact given the time capsule…
When we talk about ‘occupying’ these days, we might be talking about a number of things—taking up a few seats on a bus, or how long we’ve lived in an apartment—but since Fall 2011, we’ve come to know the verb…
When the work of a former graffiti artist enters the hallowed white box of a museum, almost inevitably there will be cries of “Judas.” Yet another in the ICA Boston’s string of exhibitions dedicated to street, or “outsider” artists, Barry…
It was madness, unlike any other event I’ve ever been to at the Museum of Fine Arts. Of course, I am referring to last week’s Boston performance by Raphael Montañez Ortíz entitled WHAT DOES FLUXES HAVE TO DO WITH IT,…
The phrases “never talk to strangers” and “stranger danger” are so ingrained within our culture that they’ve become part of our lexicon. Amalia Pica knows this all too well, having lived in Argentina at a time when the country was…
Liz Lee, Sun Prints Image Courtesy of the Artist A show of alternative-process photos could be anything these days — from the historic analog (chemical) processes to non-standard digital manipulations to printing on atypical materials, and beyond. The PRC’s “Unconventional…
João Ribas maintains that Amalia Pica’s work should be listened to. Other than the clatter of a slide-tray as it works its way around a carousel, this means listening to silence, more accurately, to the white noise of an exhibition…