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ALFREDO CONDE @ AS220

By CHRISTIAN HOLLAND Print this article Copying something creates a fake. Creating that fake object can be quite simple, you need only find an original and copy it, bearing in mind that he closer the semblance to the original, the…

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CALEB WEINTRAUB @ GALERIE SWANSTROM

By CHRISTIAN HOLLAND Print this article I was suspicious when I walked into the opening, the gallery turned into a discotèque, bass pumping, dimmed lighting, a video projection—presumably of Caleb Weintraub’s—projected on a wall. Galerie Swanström is a newbie in…

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LUCY MCKENZIE @ ICA

By MICAH J. MALONE Print this article Perhaps ever since the inception of conceptual art many artists have insisted on using whatever medium necessary to achieve an idea. Not willing to assign themselves to a singular medium and become hostage…

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JOHN O’REILLY @ HOWARD YEZERSKI

By MATTHEW GAMBER Print this article Characterized by its elongated horizontal size and finely articulated details, the panorama was originated as a painting format in the nineteenth century. In a time of fevered nationalism, many of these paintings were government…

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HENRY HORNSTEIN @ THE PRC

By MATTHEW GAMBER Print this article As part of their Northeast Exposure Series, the Photographic Resource Center at Boston University presents Honky Tonk: Portraits of Country Music 1972-1981. The exhibition features the work of Henry Hornstein, a New Bedford native,…

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