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Articles Ross Normandin. "Under Sun, Over Time." 2016. Vinyl. 48 x 216”. Courtesy the artist and GRIN.
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Inside/Out: Ross Normandin

Inside/Out is Big Red & Shiny’s artist-in-residence series, offering a space for artists to write about their ideas, research, and challenges, and publish their inspirations, obsessions, creative experiences, and insights. Unlike an ‘Open Studio’ format, which is often predicated on…

Articles Caroline Bagenal, Summer Palace, 2017, willow branches, marsh reeds, newspapers, paint, dimensions variable. Photo Credit: Stewart Clements.
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Matrices of Memory: Caroline Bagenal’s Summer Palace

The ethereal aesthetic of Caroline Bagenal’s Summer Palace—on view at Boston Sculptors Gallery through June 11—awakens one’s emotions. In this exhibition, her sculptures hang from the ceiling rather than stand on plinths. They activate the gallery’s negative space, immediately engaging…

Articles Screenshot courtesy of Drew Niconowicz
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Suggested for You at localhost & LUCAD

Suggested for You, the third exhibition curated and organized by localhost, is hosted on the video game platform Minecraft—a game devoted to crafting, building, and rebuilding. The game, which allows users to create entire virtual worlds, transmits the gallery experience…

Articles Samsøñ-Semmes-Teeth
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Wild Child: Beverly Semmes

Since the 1990s, Beverly Semmes’s work has been at the forefront of contemporary art. Semmes’s work is situated at the nexus of American feminism, puritanism, and history of sculpture and craft. This work spans across disciplines and cultures, from photography,…

Articles Maria Magdalena Campos-Pons, "Songs of Freedom," C-Prints, 2013.
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“As I See You, You See Me”

Observance: As I See You, You See Me (up through April 8 at the Montserrat College of Art Gallery in Beverley, MA) is an exhibition of portrait photography that features multiple viewpoints on identity. Curated by Leonie Bradbury, the variety…

Articles View More: http://cargocollective.pass.us/macpressconference
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Portrait of the 2016 Montreal Biennial

My favorite piece in the 2016 edition of the Montreal Biennial was also the oldest by nearly five centuries: Lucas Cranach the Elder’s Portrait of a Lady. Like any anatomically correct 16th century woman, her waist is the width of…

Articles Installation view, Embodied Absence: Chilean Art of the 1970s Now, Carpenter Center for the Visual Arts, Sert Gallery, Oct 27, 2016–Jan 8, 2017. Shown: Luz Donoso, 
Señalamientos con cuerpo estrecho (Signage with Narrow Body), c. 1979. Courtesy Carpenter Center for the Visual Arts, Harvard University.
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See It Before It’s Gone: Embodied Absence

In a playful sequence from Cecilia Vicuña’s 1980 film Sol y Dar y Dad, una palabra bailada, a danced word, the viewer’s attention is directed towards a female character, presumably the artist. Her back is leaned against the door of…

Articles afbcombo-2
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Art for Breakfast: Liao Fei’s Perspective

Liao Fei’s exhibition at Yve Yang gallery at first glance seems to be a work in progress: perhaps even a transition between shows. Remarking on surveillance culture, Fei’s quiet exhibition not only gives visitors the uneasy feeling of being watched,…

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