William J. Simmons: Tell me about your shows in Dallas and New York City. What direction is your new work taking? David Salle: The show in Dallas brings together paintings from the last five years or so that, for the…
A graduate of the Pennsylvania Academy of Fine Arts, Lili White is a fixture in the history of avant-garde filmmaking, and throughout her career she has maintained a dedication to work by women artists. As the founder of the Another…
In a recent article in The Brooklyn Rail, Chloe Wyma argues against what she sees as the commodification of feminism through the institutionalization of key artworks like Kara Walker’s A Subtlety or the Marvelous Sugar Baby (2014) and Judy Chicago’s…
At the press preview for Chicago in L.A.: Judy Chicago’s Early Work, 1963—74 at the Brooklyn Museum, curated by Catherine J. Morris, Sackler Family Curator, with Saisha Grayson, Assistant Curator, Elizabeth A. Sackler Center for Feminist Art, Judy Chicago recounted…
A corner is the intersection of different lines or edges, a place wherein one is both trapped and radically free to chose among different directions. Kazimir Malevich hung his Suprematist manifesto Black Square (1915) in the corner of the gallery,…