By THE EDITOR Print this article Mayor Thomas M. Menino today announced the creation of the Department of Arts and Cultural Development to combine the efforts of the Mayor’s Office of Special Events, Tourism, and Film and Office of Cultural…
By THE EDITOR Print this article (updated Fri. April 16th) Our publication schedule may seem sporadic over the next few months. During the summer months of June, July & August, we will be cutting back to one issue a month.…
By THE EDITOR Print this article According to our news sources here at Big, Red and Shiny, Dan Elias recently closed his gallery after six years of operation. Showing the work of artists like Taylor Davis and Frank Egloff among…
By THE EDITOR Print this article As a city rooted in history, the people of Boston are often deeply divided regarding the preservation of its structures. For the last year, the Gaiety Theatre at 659-665 Washington St. has faced a…
By MATTHEW GAMBER Print this article As part of their Northeast Exposure Series, the Photographic Resource Center at Boston University presents Honky Tonk: Portraits of Country Music 1972-1981. The exhibition features the work of Henry Hornstein, a New Bedford native,…
By BETH MARTIN Print this article In a society colored, shaped and devised to nurture our short attention spans, a focus on obsession is strangely refreshing. OCD (referencing Obsessive Compulsive Disorder), now showing at the Mills Gallery at Boston Center…
By DIRK ADAMS Print this article Chocolate, whiskey, and the aroma of cake and rotting meat were among the bodies of material that confronted the senses during “Corporeal Heat”, a festival of performance art featuring nine artists from Canada, Germany,…
By C. SEAN HORTON Print this article LET ME BEGIN BY ASKING YOU WHAT YOU’RE UP THESE DAYS. I UNDERSTAND THAT YOU RECENTLY CLOSED ELIAS FINE ART IN ALLSTON AFTER SIX YEARS AND THAT YOU TURNED OVER YOUR POSITION AS…
By CHRISTOPHE PEREZ Print this article Disliking the Whitney Biennial is nowadays a very common attitude and, for a critic, always a safer opinion. The prevalent argument against this biennial is actually justified: the curatorial will is hard to catch…