By BIG RED May 7th 2006 Candid snaps from a Big RED evening on-the-town at the National Bitter Council GOYA honoring Day Banquet. The Bitter Melon Council celebrated the annual GOYA Honoring Day with a 7 course banquet, each course…
Browsing: Volume 1 : Issue #43
By BIG RED May 5th, 2006 Candid snaps from a Big RED night on-the-town at the First Friday openings at Harrison Street. photos from the May Openings of: Beth Galston and Ann Torke at Boston Sculptors Gallery Rachel Dayson at…
By BIG RED May 5, 2006 Candid snaps from a Big RED night on-the-town at the First Friday openings at Harrison Street. Featuring the ongoing adventures of the Big RED Trucker Cap.
By BIG RED May 6, 2006 Candid snaps from a Big RED night on-the-town at “ArtHouse”, 85 Rockview St. in Jamacia Plain. —- ArtHouse
By BIG RED May 12th 2006 Candid snaps from a Big RED night on-the-town at the opening of OHM, curated by Dana Moser Axiom, Inc
By BIG RED May 4, 2005 Candid snaps from a Big RED night on-the-town on Newbury Street for openings at Judi Rotenberg Gallery, Pepper Gallery and Robert Klein Gallery. Featuring the adventures of the Big RED Trucker Cap “Aya Baya…
By BIG RED NEWS EDITOR As Geoff Edgers over at “The Exhibitionist” reported earlier this week, Linda Norden will be leaving the Fogg after 8 years as curator. She has not stated her future plans. In a conversation with Charles…
By BIG RED NEW EDITOR Ahhhhhhhhh…. summer. There are many great things about a summer in New England. For Bostonians and Cantabridgians, the streets are suddenly quiet after the departure of all those pesky students. For everyone else, there are…
By CHARLES GIULIANO For Austrian artists of the generation of Erwin Wurm, born in 1954, the challenge has been to get out from under the formidable gravitas of the strum und drang of the earlier Vienna Actionists of the 1960s.…
By RACHEL GEPNER April 1st of last year I was homeless, penniless and jobless, but I had a studio in 450 Harrison Ave in SoWa. I still remember how proud I was the first time I went in to work.…
By MATTHEW GAMBER Readers, donors – dedicated and new: No commemorative DVD’s were offered! No tote bags! No coffee mugs! No operators were standing by! No phones! Yet, you continued to respond! Here at Big RED, we want to extend…
By STEVE AISHMAN Do you know anyone who remembers when they were a child and would paint or draw all the time but then also remembers the first time they drew on a wall and someone came and yelled at…
By MICAH J. MALONE Perhaps the most distinct and, ironically, traditional aspects of Nina Lola Bachhuber’s show Yesterday I Ate A Lizard is its insistence on formal strategies. It is surprisingly refreshing to find a sculptor primarily interested in a…
By CHRISTIAN HOLLAND Do all stories have a climax, breaking point, or fulcrum of sorts? Well, they all can, but how the story is spoken, written, played, drawn, or however the author, (whether they know they are an author not),…
By KATHRYN ADA DUTOIT Death. Suffering. Self-image. These ideas and more are explored by Boston artists Bebe Beard and Linda Leslie Brown in new digital-based work in Projecting in Light, which was on view at Wentworth Institute of Technology’s Casella…
By MATTHEW NASH So, when a real estate developer decides to promote a new pair of overpriced condos with two weekends of art events, I tend not to think too much about it. But given that the event is packed…
By JASON SCHIEDEL On April 27th the Center for Advanced Visual Studies at MIT opened an exhibition of two projects by artists John Malpede and Harrell Fletcher with works that use reenactment as a strategy to bring historic events into…