By KURT COLE EIDSVIG Kurt Cole Eidsvig is one of the first recipients of Art Writing Workshop fellowship, a collaboration between the Creative Capital | Warhol Foundation Arts Writers Grant Program and the International Art Critics Association/USA Section (AICA/USA). The…
Browsing: Volume 1 : Issue #127
By MICAH J. MALONE Legal contracts, artists relationships with science, Boston’s slow march into “the Modern” era, as well as “the capitalist, linear escapism… of the Western Psyche” are just a few of the topics covered in Issue #127. I’d…
By STEVE AISHMAN Every hero becomes a bore at last. — Emerson I have never been able to throw. And I mean anything. I can’t throw a baseball, tennis ball, Frisbee, whatever. Don’t ask me to toss you a pen…
By BIG RED CHECK THIS OUT. When was this made? Is this a phallus made from the lights of tailgaters? Imagine if all the pictures on the web were corrupted, but this one managed to survive, along with the entire…
By THOMAS MARQUET #57: The requisite Whitney Biennial strip, but different this time. Thomas Marquet is a cartoonist, sculptor, and critic, based in Brooklyn.
By MARTINA WINDELS BY ENTERING THE ZONE CREATED BY THIS DRAWING, AND FOR THE PERIOD YOU REMAIN THERE, YOU DECLARE AND AGREE THAT THE US CONSITUTION WILL NOT APPLY TO YOU. This statement is applied in bold black letters to…
By NISHA MAXWELL Joshua Deaner’s a town without pigeons. confronts the capitalist, linear escapism that the Western psyche cultivates. Deaner claims to look for moments when landscapes reflect the inner working of the psyche. “ He does exactly that with…
By LIZ HALL Last week, I had the wonderful good fortune of attending two lectures about two different artists who dance with science. On Monday, February 22nd, the MIT Program in Art, Culture and Technology kicked off its spring lecture…