By STEVE AISHMAN I’m often reminded of artist George Vlosich’s work. You’re not familiar with his work? He’s one of the most written about artists of our generation. The You Tube video of him making his work has been viewed…
Browsing: Volume 1 : Issue #113
By HANNAH BARRETT Until September 7th, The Golden Age of Dutch Seascapes at the Peabody Essex Museum in Salem offers a rare opportunity to see a spectacular collection of Dutch and Flemish paintings from the National Maritime Museum in Greenwich,…
By JAMES A. NADEAU “I remember loving sound before I ever took a music lesson. And so we make our lives by what we love.” – John Cage, Lecture on Nothing, 1949 Our relation to music is deep and, one…
By JESSICA MOORE Artist and organizer Margaret Bellafiore is peaceful and focused as she draws intricate plant parts at a desk in Mobius Art Space. The open, airy studio is dotted with artists sketches and still-life arrangements –- plums, flowers,…
By CHRISTIAN HOLLAND In the spring of 2007, the U.S. Supreme Court forged a new precedent for the matter of “obviousness”1 as it pertains to patents in the unanimously decided KSR v. Teleflex ruling. Generally, to be granted a patent,…
By THOMAS BIRD Over fifteen artists from Boston’s vibrant performance art scene have made it all the way here to Beijing for what is the largest performance art festival in China, ever. The annual “Open Art Realization Performance Art Festival”…
Jason Landry: Alicia, Sara, Kelly and Cary…you are performance artists who go by the name Triiibe. What makes Triiibe unique and how do you fit into the genre of performance artists? Triiibe: We need to start off by saying that…