Browsing: Volume 1 : Issue #102

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CONNECTIONS @ MIT MUSEUM

CONNECTIONS @ MIT MUSEUM By Megan Driscoll The Connections exhibition by the Sociable Media Group at the MIT Museum is part research, part art –turning theories and data sets into interactive portraits and installations that explore recent technological developments in…

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WATCHMEN & THE LIMITS OF ADAPTATION

WATCHMEN & THE LIMITS OF ADAPTATION By James Nadeau “Who watches the Watchmen?” is a catchphrase from the film Watchmen directed by Zach Snyder. It is graffiti sprayed across an alley wall and it signifies dissatisfaction with the actions of the…

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MISAKI KAWAI @ LAMONTAGNE GALLERY

MISAKI KAWAI @ LAMONTAGNE GALLERY By David O. Avruch The paintings, sculptures and collages of “Kung Fu Forest,” Misaki Kawai’s current show at the LaMontagne Gallery, are simultaneously awesome and awkward, simplistic and compelling, endearing and inscrutable. Despite its insanely…

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“THE WHITE CUBE”

“THE WHITE CUBE” By Thomas Marquet #45: He’s like the Yakov Smirnoff of the framing industry. Thomas Marquet is a cartoonist, sculptor, and critic, based in Brooklyn, New York, which is an admittedly unoriginal place to be pursuing any of these…

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AIR ARTIST JON TAYLOR

By CHRISTIAN HOLLAND Jon Taylor, an artist of New Bedford, Massachusetts, will, on occasion, put moss into his mouth. It’s true; there are pictures to prove it. He will also make expressions like those Andrew W.K. makes when photographed, but…