Tom McGlynn

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Feature

By Tom McGlynnSeptember 22, 2014 0

Christopher Williams: The Production Line of Happiness” at MoMA

What happens when interlocking systems of institutional assumptions about aesthetic valence are deployed as an over-mined field of critical data? How does a shopping list of representative art historical tropes morph into a dynamic rhetorical narrative to unpack those very…

Articles

By Tom McGlynnApril 14, 2014 0

The 2014 Whitney Biennial

The last Biennial to be held at Marcel Breuer’s grey granite bunker on Madison Avenue, before the Whitney moves to a new building on the Highline, boasts a collaborative team of curators. Stuart Comer is Chief Curator of Media and…

Feature

By Tom McGlynnJanuary 20, 2014 0

“Chris Burden: Extreme Measures” at New Museum

Chris Burden’s public persona has maintained a quirky and exceptional position within the art world since his 1971 performance of Shoot when he set up a situation in which he was shot in the arm at medium range with a…

Feature

By Tom McGlynnApril 16, 2013 0

“NYC 1993: Experimental Jet Set, Trash and No Star” at the New Museum

The curators of NYC 1993: Experimental Jet Set, Trash and No Star at the New Museum would have been in their early teens to early twenties in 1993. This may not be such an insignificant fact given the time capsule…

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