Boston is a transient city. Each fall, legions of artists enroll in graduate programs throughout the city to nurture their talents and connections, and approximately two years later, many move on. While they are here, some of these artists are…
Last Wednesday, after dark, two dimly lit galleries in the Museum of Fine Arts resonated with words. To those familiar with Boston’s generally stoic and tight-lipped durational performance art1, Jeffrey Gibson and Patty Chang must have seemed awfully talkative. Onto…
Ah, the list. The end of the year always means that the reading public is beleaguered with lists, each purporting to tell us the best and worst contribution to culture over the past twelve months. I’m always torn with lists;…
The second group show of contemporary Cuban art to take place in Boston this fall, Cuban Virtualities: New Media Art from the Island (at Tufts University Gallery September 5 through December 8) was also the first exhibition of Cuban new…
Wednesday night the MFA and Big Red & Shiny were proud to present the Odd Spaces panel discussion at the MFA Boston, following the group exhibition of performance art curated by Liz Munsell, assistant curator of contemporary art and MFA…
Liz Munsell One thing I’ve noticed working with you so far—which I must say has been nothing but an honor and a pleasure—has been how easy you make the job of a curator, precisely because you consider the context in…
Irony has long associated with hollowness in contemporary culture. “Irony was the final polish of the shoe, the ultimate dab of the clothes-brush,” writes F. Scott Fitzgerald of Antony Patch, the doomed protagonist of his 1922 novel, The Beautiful and…