1. Lights are coming on everywhere you look tonight. The flickering shutter of cameras announce (whisper) everybody already knew how to take photographs of television screens before you even thought to change. Women stand in something greater than the misunderstanding…
Browsing: Kurt Cole Eidsvig
EXIT 1 ↗ The entire history of America is based on rediscovering what has already been found. Picture yourself, late for work, searching for your car keys and eyeglasses only to hear the Hyundai exhaling exhaust fumes out back in…
“Poïesis is etymologically derived from the ancient Greek term ποιέω, which means “to make”. This word, the root of our modern “poetry”, was first a verb, an action that transforms and continues the world. Neither technical production nor creation…
“Poïesis is etymologically derived from the ancient Greek term ποιέω, which means “to make”. This word, the root of our modern “poetry”, was first a verb, an action that transforms and continues the world. Neither technical production nor creation…
“Poïesis is etymologically derived from the ancient Greek term ποιέω, which means “to make”. This word, the root of our modern “poetry”, was first a verb, an action that transforms and continues the world. Neither technical production nor creation…
“Poïesis is etymologically derived from the ancient Greek term ποιέω, which means “to make”. This word, the root of our modern “poetry”, was first a verb, an action that transforms and continues the world. Neither technical production nor creation…
“Poïesis is etymologically derived from the ancient Greek term ποιέω, which means “to make”. This word, the root of our modern “poetry”, was first a verb, an action that transforms and continues the world. Neither technical production nor creation…
“Poïesis is etymologically derived from the ancient Greek term ποιέω, which means “to make”. This word, the root of our modern “poetry”, was first a verb, an action that transforms and continues the world. Neither technical production nor creation in…
Conjuring the familiar folktale of a thirty-eight-year-old Roy Lichtenstein heading over the bridge to Manhattan with five canvases strapped to the top of his station wagon sometime in 1961 is nearly impossible amid the sprawling grandeur of Washington, D.C. and…
By KURT COLE EIDSVIG What could be left to say about Claude Monet? The iconic Impressionist has been the subject of major shows dotting the globe for each of the past ten-plus years, many times simultaneously. There are notepads, calendars,…
By KURT COLE EIDSVIG People are always wondering at the last word in painting. What was left after Picasso? Was de Kooning destined to be the last hurrah? It seems every generation has one last gasp that is predicted to…
By KURT COLE EIDSVIG Kurt Cole Eidsvig is one of the first recipients of Art Writing Workshop fellowship, a collaboration between the Creative Capital | Warhol Foundation Arts Writers Grant Program and the International Art Critics Association/USA Section (AICA/USA). The…