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A REPORT FROM THE PHANTOM ZONE

By STEVE AISHMAN “Art writing that attempts not to judge, and yet presents itself as criticism, is one of the fascinating paradoxes of the second half of the twentieth century.” – James Elkins In 1970, Edmund Burke Feldman wrote a…

Feature
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A LETTER

By MATTHEW NASH Boston’s art community is a small one, often like a close-knit family, and for the past 15 years Ellen Wetmore and Jeff Warmouth have been an active and visible part of our family. Often they are more…

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A REPORT FROM THE PHANTOM ZONE

By STEVE AISHMAN This is a news report and criticism: On Sept. 29, BoingBoing blogger Xeni wrote a criticism of an advertisement by Ralph Lauren, stating,”Dude, her head’s bigger than her pelvis.” Ralph Lauren’s law firm has now threatened to…

Magazine
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HIGHLIGHTS FROM CHELSEA

By ALAN REID Rebecca Warren at Matthew Marks There’s something afoot in Rebecca Warren’s current show, a dozen sculptures collected under the potentially snarky title, Feelings. With élan, Warren negotiates an avalanche of references, disrupting the history of art and…

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DANCE @ WILLIAMS COLLEGE

By THEODORE BALE It was a tripartite collaboration that happened only once: in 1979 choreographer Lucinda Childs, composer Philip Glass, and artist Sol LeWitt came together to create the signature performance work of the minimal period, DANCE. Of course, with…

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MARKETWATCH

By MICAH J. MALONE What does it mean to sell something that does not have a definitive form? In my exploration of this question, I will focus on the generation that has led to many misconceptions about the commodity status…

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BIG RED ON-THE-TOWN: TUFTS UNIVERSITY

By BIG RED Thursday September 17th, 2009 A Big Red Night on The Town at the opening of Brian Knep solo exhibition “Exempla” Tufts University Brian Knep “Exempla” is on view through November 15, 2009 at the Koppelman Gallery, Tufts…

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