“There is both capricious absurdity and poetic impossibility in the realm of the unconscious lapses of time that constitute dreams.”[1] -Maria Magdalena Campos-Pons While I reflect upon the indeterminacy of global political conditions, I continue to be buoyed by…
Browsing: Dell M. Hamilton
I shall always be grateful to Honduras, though for it has given me back myself. I am my old brash self again. -Zora Neale Hurston, Puerto Cortes, Honduras, May 20, 1947 Being a fan or scholar of Zora Neale Hurston…
She agitates the quart developing tank in total darkness, our windowless bath; the cylinder slides inside against the film for ten minutes at 70 degrees. I can see the developer acid in the luminous dial of my watch: she adds…
Dell M. Hamilton’s work draws on not only the historical conventions of photography and performance art but also on the history of black theater, the written and oral traditions of black & Latina women writers as well as the contradiction &…
For decades, Carrie Mae Weems’s staged photographs and videos have served as aids for processing the legacies of slavery, racism, and sexism in the United States. The elegant solutions in Weems’s compositions, their gravitas and narrative content, appear to operate…
You can’t have relationships with other people until you give birth to yourself -Sonia Sanchez Reflecting on my recent trip to South Africa to attend and moderate a panel discussion at the “Black Portraitures III – Reinventions: Strains of Histories and…
Inside/Out is Big Red & Shiny’s artist-in-residence series, offering a space for artists to write about their ideas, research, and challenges, and publish their inspirations, obsessions, creative experiences, and insights. Unlike an ‘Open Studio’ format, which is often predicated on potential sales, BR&S…