Providence artist Allison Paschke can be disobedient in museums. Sometimes, she’ll find a sculpture or object irresistible, and smooth her hand carefully over its surface. In her latest exhibit at AS220 Project Space, Paschke extends this “mischievous glee” to her…
Pregnancy and parenting can create serious changes to an artist’s process. As installation maestro Sarah Sze elaborated on a 2012 exhibit in London: “The pieces in this show appear to measure space, or time, and now that I have two…
May Babcock’s recent show at AS220 featured several new works by the mixed media artist who recently relocated to Providence, RI, after living in Baton Rouge, LA, where she attended the MFA program at Louisiana State University. Babcock was and…
Andrea Lynn Santos’ work evokes the spareness of this time of year, as leaves fall to the ground, windows are shut tight, and the sky is emptied of birds. As in the collograph print, My Bed, My Burden, it speaks…
Brutalism is arguably one of architecture’s most challenging styles. This mid century aesthetic is typified locally in buildings like Boston’s City Hall, built in 1968, and the campus of Southeastern Massachusetts University (now University of Massachusetts at Dartmouth), which…
Art education in public schools seems nonexistent today, and I personally experienced very little of it while attending Boston Public Schools. Small community-based organizations have taken on the role of bringing art education to inner-city neighborhoods, shouldering the job that…
By NISHA MAXWELL Joshua Deaner’s a town without pigeons. confronts the capitalist, linear escapism that the Western psyche cultivates. Deaner claims to look for moments when landscapes reflect the inner working of the psyche. “ He does exactly that with…