A sightline refers to a direct line of vision between spectator and an object in view, whether it’s the Washington Monument, a Broadway musical, or an NFL playoff game. To painter Dana Clancy, sightlines are a way to compose and…
Monthly Archives: March, 2017
With a background in linguistics and work experience as an interpreter for several years in China, Furen Dai’s artistic practice centers on language and the culture built through it. She reflects on various forms of interpretation in her work with…
Corey Escoto’s current solo show at Samsøn Projects, “A Routine Pattern of Troubling Behaviour,” is far more than at first meets the eye. When I walked into the gallery, a spare white rectangle, the works seemed quiet and unassuming. Until I…
Providence artist Allison Paschke can be disobedient in museums. Sometimes, she’ll find a sculpture or object irresistible, and smooth her hand carefully over its surface. In her latest exhibit at AS220 Project Space, Paschke extends this “mischievous glee” to her…
When I found out that the artist A.K. Burns was one of the Radcliffe fellows at Harvard this year, I was excited to have gotten that memo because things come and go pretty quietly over there. My husband works next…
Whenever an immersive art experience takes place in Boston, I hear many people say: “This is exactly what Boston needs…we need more of this.” I don’t think it’s the spectacle people need. I think people crave a space where they…
Observance: As I See You, You See Me (up through April 8 at the Montserrat College of Art Gallery in Beverley, MA) is an exhibition of portrait photography that features multiple viewpoints on identity. Curated by Leonie Bradbury, the variety…
Doug Weathersby turns the act of cleaning and organizing into his art. For $60 an hour, Environmental Service will perform any task that the customer may need, from house painting and studio cleanup to art installation. He takes the fragments…
In One Makes an Instrument of Themselves, and is Estranged Also, collaborators Mimi Cabell and Lindsay Foster probe the “the commercialized self, the marketized private life.” As today’s corporate landscape ostensibly reorients itself toward workers’ happiness, Cabell and Foster remind…
Vitreous Bodies: Assembled Visions in Glass centers on the material of glass, but maneuvers past the typical, disposable aftertaste of many material-based exhibits. Located at MassArt’s Stephen D. Paine Gallery, the show gathers over a dozen international artists who use…
DRAW/Boston, an exhibition of over 60 artists curated by Tomas Vu, toys with scale, color, style, and sound, wedding the scholarly air of a professional university gallery with the aesthetic resemblances of a working artist’s studio. The arrangement alone warrants…