Monthly Archives: November, 2008

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“THE WHITE CUBE”

“THE WHITE CUBE” By Thomas Marquet #37: After a loooooooooooooooong hiatus, “The White Cube” is back. What has everyone been up to? Thomas Marquet is a cartoonist, sculptor, and critic, based in Brooklyn, New York, which is an admittedly unoriginal…

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OBAMA: AN ARTS-FRIENDLY PRESIDENT?

OBAMA: AN ARTS-FRIENDLY PRESIDENT? By Matthew Nash On Tuesday, November 4th, Americans overwhelmingly voted for Barack Obama to be the next President of the United States. This is a truly amazing moment in history that many have already written about, and…

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BIG RED ON-THE-TOWN: THE ICA

BIG RED ON-THE-TOWN: THE ICA By Big Red Tuesday, November 11th, 2008 Candid snaps from a Big RED night on-the-town at the ICA Boston for the opening of The 2008 James and Audrey Foster Prize exhibit; Momentum 12: Gerard Byrne and…

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TARA DONOVAN @ THE ICA

TARA DONOVAN @ THE ICA By Matthew Nash The first thing I noticed upon entering the ICA’s West Gallery was the abundance of security guards hovering around the room, their teeth gritted nervously. While this might seem intimidating to the average…

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A REPORT FROM THE PHANTOM ZONE

A REPORT FROM THE PHANTOM ZONE By Steve Aishman The Reverence Of Looking The Zuni have used clay figures for thousands of years. Buddhists; mandalas. A clinical psychologists may suggest a candle. Christians may use the cross. Cultures from around the…

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EDITS @ HALLSPACE

EDITS @ HALLSPACE By Karen S. Fegley To edit a newspaper is to correct or modify text and other content in order to make it suitable for publication. In Edits, HallSpace’s current show, Melissa Zexter and Pat Shannon turn that…

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A CONVERSATION WITH GREGORY CREWDSON

A CONVERSATION WITH GREGORY CREWDSON By Ben Sloat Gregory Crewdson is a photographer known best for his high production photographic projects, Hover, Twilight, and Beneath the Roses, open ended narratives that blend the suburban vernacular of the Northeast with the paranormal.…

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PHILADANCO @ THE ICA

PHILADANCO @ THE ICA By Chelsey Philpot Financial down-turns throughout history have shown that even in a tough economy people do not stop going to movies. Why shell out twelve bucks for a blockbuster? Why pay too much for butter-soaked…