Contributors
Samuel Adams teaches art history and visual culture at Wentworth Institute of Technology and Tufts University. Previously he was a curatorial research fellow at the Institute of Contemporary Art/Boston. He holds a Ph.D. in art history from the University of Southern California, for which he wrote a dissertation on how stage performance and theatricality came to impact postwar exhibition practices.7 Articles
Julianna Thibodeaux is a freelance writer, editor and creative writing instructor based on the North Shore. She served as chief art critic for Nuvo Newsweekly in Indianapolis for more than a decade prior to her move back to Massachusetts in 2014.7 Articles
Stephen Persing is a writer and blogger whose writing has appeared in Art in America, McSweeney's Internet Tendency, and might be found semi-regularly in his blog, at http://artnote.blog.com.7 Articles
Megan Klarenbach is an art professional living and working in Boston. A specialist in public art, Megan graduated from Sotheby’s Institute of Art, New York, in 2011. She currently works at The Society of Arts and Crafts and has experience writing for numerous arts organizations including the deCordova Sculpture Park and Museum, Art in America, and Artlog.7 Articles
Shana Dumont Garr is a writer, curator, and educator. She recently returned to Greater Boston from Raleigh, NC, where she was Director of Programs & Exhibitions at Artspace NC. She is currently the Director of Kingston Gallery in Boston and teaches art history at Montserrat College of Art in Beverly, MA.6 Articles
Lin A. Nulman is an Adjunct Professor of English at Bunker Hill Community College and has worked in the theater for many years. Her poetry has appeared in Black Water Review, Tanka Splendor, and the anthology Regrets Only: Contemporary Poets on the Theme of Regret, among others. Lin has studied eighteenth century theater history and culture, with a focus on the meanings of material objects.6 Articles