By NATALIE LOVELESS Print this article […5…] One should not develop a taste for mourning, and yet mourn we must. […13…] What happens when a great thinker becomes silent, one whom we knew living, whom we read and reread, and…
By BIG RED Print this article Citing copyright issues, a painting by Damian Loeb that was included in “The Charged Image: Work from the Collection of Douglas Cramer” at the University of Harford Joseloff Gallery was removed from the exhibition.…
By ANNEKA LENSSEN Print this article Though the art department at Harvard is much-discussed, is it worth its reputation? It has that gauzy name: Visual and Environmental Studies (VES). A gossipy New Yorker article two years ago detailed the dismissal…
During my regular commute from the Bowdin Street T stop on the Blue Line up the hill to classes at Suffolk University, for many months, I passed by the construction site for a high rise government office building. Often that…
By MICAH J. MALONE Print this article Green St. Gallery is under construction. With saws, Vacuums, scraps of wood, and tons of dust, Douglas Weathersby’s newest installment resembles a construction site as much as an art exhibition. Commissioned to complete…
By CHRISTIAN HOLLAND Print this article The very first screening of the Fall 2004 season of Alla Kovgan and Jeff Silva’s semi-weekly Balagan experimental film and video series was called “New England Beat.” But a title including the phrase ‘experimental…
By HEIDI M. MARSTON Print this article Josh Winer’s show at Clifford Smith Gallery exhibits 30” x 40 “ C–prints of piles of sand and gravel. The photographs, shot with a 4×5 camera and mounted on aluminum, are reminiscent of…
By KIMBERLY POTVIN Print this article Nathaniel Hawthorne published The Scarlet Letter in 1850, which was greeted, at the time, with great anticipation and enthusiasm, especially considering the alluring subject matter; that of America’s Puritan past and the eternally interesting…
By BIG RED Print this article ‘The station wagons arrived at noon, a long shining line that coursed through the west campus. In single file they eased around the orange I-beam sculpture and moved toward the dormitories. The roofs of…
Gallery @ Green Street Candid photos from a Big RED night on-the-town at GALLERY for the opening of EXHIBITION
September 10, 2004 Candid photos from a Big RED night on-the-town at GALLERY for the opening of EXHIBITION
By BIG RED Print this article Nearly a decade has passed since Malcom Rogers arrived in Boston to become one of the most controversial directors in history at the Museum of Fine Arts, Boston. Many supporters claim that Rogers’s unorthodox…
By BIG RED Print this article On September 15, the Institute of Contemporary Art broke ground on the construction of its new building. The fantastic structure, which appears to defy both gravity and logic, will be on Fan Pier in…
By BIG RED PUBLISHER Print this article I just wanted to take a few moments, here at the start of autumn, to open the doors of Big RED to all of you, our loyal Big RED fans. As you know,…
By MATTHEW NASH Print this article For the next month, the gallery at The Distillery in South Boston is home to the abstract works of Patrick Maloney and Michael Mullaney. At times bright and colorful, sometimes somber and muted, always…
By MICAH J. MALONE Print this article The brand new gallery GASP, founded by Magda Campos-Pons, has opened in Brookline and should be a venue to watch in the coming year. For the opening debut, Evelyn Rydz has assembled Blurring…
By BIG RED Print this article Following up on a previous news story, The Museum of Fine Arts, Boston has been criticzed by the The Association of Art Museum Directors (AAMD), for having loaned 21 of its 36 Monet paintings…
By BIG RED Print this article Are you an upstart artist just getting going in the beginning of your career, only to find you should be concerned about retirement? Do you lack the investment capital because you’re using it next…
By BIG RED Print this article This past July, Dr. Steven Kurtz, member of the performance-based Critical Art Ensemble was arraigned on four counts of mail and wire fraud, and, if convicted, could serve up to 80 years in federal…
By ANNEKA LENSSEN Print this article Here in town this summer, Company One staged their take on Anthony Burgess’s A Clockwork Orange. The play, modified from Burgess’s own stage play, was produced at the Boston Center for the Arts. Company…