ASKEW @ 215 COLLEGE ARTISTS’ CONTEMPORARY GALLERY By Amanda Sanfilippo Featuring the work of Paul Humphrey, Jennifer Koch, Tarrah Krajnak and Lance Richbourg, Askew: Contemporary Portraits lays out four different…
INTERVIEW WITH JIM FITTS By Jason Landry Jim Fitts is the Executive Director of the Photographic Resource Center at Boston University, a position he took on in 2007 after serving…
FADE: ERWIN REDL DEBUT/JOSEPH KETNER RETURNS By Tamara Schillin Covering every square inch of gallery wall space, Fade traces the stark geometric architecture and vaulted heights of the gallery with…
AMY STACEY CURTIS @ SANFORD MILL By Elena Sarni “No running. Notice where the exits are located. Enter at your own risk,” are unlikely messages to be associated with an art…
ART SANTA FE By Sarah Hutt Stepping off the shuttle bus in downtown Santa Fe I experience a familiar physical sense of calm. The therapeutic quality of the light, the clear…
MODERN DAY SAINT-GAUDENS: LAWRENCE J. NOWLAN By Chelsey Philpot “A Sculptor’s work endures so long that it is next to a crime for him to neglect to do everything that lies…
SUSAN ERONY: A PORTRAIT By Tamara Schillin Susan Erony is an artist, historian, scholar, independent curator and adjunct professor currently residing in Gloucester, MA. She has grappled with complex and highly…
REKA REISINGER @ REAL ART WAYS By Megan Driscoll Over the past several years, photography has evolved from a replica of the world we live in, to a carefully constructed…
BADLANDS @ MASS MOCA By Abraham Storer The title of the current landscape show at Mass MoCA, Badlands: New Horizons in Landscape, refers to the geographical place in the Dakotas,…
A CONVERSATION WITH DENNIS KOIS By Jess Dugan Jess T. Dugan: How did you come to be the Director of the DeCordova, and what drew you to this museum in particular?…
By Tamara Schillin The recently completed “The Firefighters” (2008) is an homage to the six firefighters who perished tragically while battling a blaze in the windowless meat locker maze at…
YALE PHOTOG MFA’S IN PHILLY By Rita Lombardi For a couple of years now, ever since I heard it was home to the largest collection of works by Marcel Duchamp in…
THE DISAPPEARING CRITIC By Daniel Grant We are living in the great age of opinion-writing, of critiques and commentaries, so why are so many of the art critics disappearing from major…
By John Ruggeri Entering the P.S.1 Contemporary Art Center world is not your typical high-end museum experience. Formerly a public school and now an affiliate of Museum of Modern Art, it…
JOHN EWING’S VIRTUAL STREET CORNERS By Rich Tenorio Dudley Square in Roxbury and Coolidge Corner in Brookline are close geographically, but demographically they seem disparate. For about a week in June,…
By Amy Handler Amnesia, obsession, malformed or multiple identity, melodramatic unrequited love, silent film accompanied by disembodied (intertitled) voice and rhythmic sound, coexistence of past, present and future from which…
By Big Red & Shiny @ THE MOVIES: INDIANA JONES & THE KINGDOM OF THE CRYSTAL SKULL by BEN SLOAT & MATTHEW NASH @ THE MOVIES: HAROLD & KUMAR ESCAPE…
By ALICIA KESTRELL VERLAGER As a blind horror fan, I am fascinated with horror movies featuring blind female protagonists. Though a small category, there are enough examples to count as…
LOUISVILLE KENTUCKY ART GALLERIES By Rita Lombardi When I tell people in Boston that I lived in Kentucky for 12 years the first thing that crosses most faces is a…
INTERVIEW WITH STEVE TOURLENTES By Jess T. Dugan Steve Tourlentes is a graduate of Knox College and Massachusetts College of Art, where he earned an MFA in 1988. Since 1996, Tourlentes…