ANDREW WITKIN WINS ICA FOSTER PRIZE
ANDREW WITKIN WINS ICA FOSTER PRIZE By Big Red On January 21st, 2009, the Institute of Contemporary Art, Boston announced that Andrew Witkin was the winner of the James and Audrey…
ANDREW WITKIN WINS ICA FOSTER PRIZE By Big Red On January 21st, 2009, the Institute of Contemporary Art, Boston announced that Andrew Witkin was the winner of the James and Audrey…
BRANDEIS STUDENTS: SAVE THE ROSE By Brian Friedberg & Penelope Taylor The alarming rumors that Brandeis would be deeply affected by the looming economic recession, and the recent Madoff ponzi…
BILL ARNING LEAVING THE LIST TO HEAD THE CONTEMPORARY ARTS MUSEUM HOUSTON By Big Red This morning The Contemporary Arts Museum Houston announced that Bill Arning has been named as their…
ANNABEL DAOU @ THE DAVID WINTON BELL GALLERY By Jon Petro Linguistics in contemporary art is an amalgamated concept developed to provide additional territory to the diminished landscape of the now…
THE BOSTON ART AWARDS BALL – FEBRUARY 2ND!!! By Big Red Please join us tomorrow night, February 2, at the Beehive for the Boston Art Awards Ball, hosted by Big RED…
THE FUTURE: BOSTON LACKS ALTERNATIVE SPACES? By Greg Cook A month back, Matt Nash of Big Red & Shiny wrote an essay lamenting that in Boston the “alternative gallery scene is…
R.H. QUAYTMAN: CHAPTER 12 : IAMB AT MIGUEL ABREU GALLERY By Alan Reid The sly objects in R. H. Quaytman’s demanding show at Miguel Abreu Gallery (Op art images screen-printed on…
THE 2008 BOSTON ART AWARDS BALL By Big Red A few weeks ago, critic Greg Cook announced on his blog, The New England Journal of Aesthetic Research, that he was taking…
EXINE BY PAUL MORRISON AT THE RISD MUSEUM By Jon Petro Possibly the most impressive self-actualizing apparatus of the art world today is just how it manages to reinvent itself. Year…
WHO STILL USES SNAILMAIL? (OH, & A NEW FEATURES UPDATE) By Big Red At Big RED & Shiny we encourage anyone with an event listing or announcement to post their info…
A BAD YEAR FOR SALES, BUT SILVER IS IN THE LINING By Hannah Cole To those of us not on the VIP list, Art Basel Miami Beach is run with all…
FIRST DOUBT @ YALE UNIVERSITY ART GALLERY By Megan Driscoll The work at First Doubt, Yale’s latest contemporary art exhibition plays with our instinct to find the informational detail in…
THOUGHTS ON MY ARTISTIC EDUCATION By Jennifer McMackon I attended primary school in Burlington, a small city between Hamilton and Toronto on the Northwest shore of Lake Ontario in the…
2008 ICA FOSTER PRIZE FINALISTS: A CONVERSATION WITH ANDREW WITKIN By Micah J. Malone On November 12th, the 2008 James and Audrey Foster Prize exhibition opened at the Institute of…
EDITS @ HALLSPACE By Karen S. Fegley To edit a newspaper is to correct or modify text and other content in order to make it suitable for publication. In Edits,…
PHILADANCO @ THE ICA By Chelsey Philpot Financial down-turns throughout history have shown that even in a tough economy people do not stop going to movies. Why shell out twelve…
BILL T. JONES/ARNIE ZANE DANCE CO: ANOTHER EVENING: SERENADE/THE PROPOSITION By Chelsey Philpot February 2009 will mark the bicentennial of Abraham Lincoln’s birth. Celebratory volumes singing the sixteenth president’s praises…
KARSH 100 @ THE MUSEUM OF FINE ARTS, BOSTON By Kat Kiernan Walking into Karsh 100: A Biography in Images, an exhibition of Yosurf Karsh’s photographs at the Museum of Fine…
SYMPATHY FOR THE DEVIL @ MUSéE D’ART CONTEMPORAIN DE MONTRéAL By Megan Driscoll The Musée d’art contemporain de Montréal is featuring an exciting traveling exhibition devised by Dominic Molon, curator…
A CONVERSATION WITH POSTERBOY By Jason Dean I first saw Posterboy’s work on the subway platform a month or so ago. It was a reworked ad poster for the show Date…