BOOK REVIEW: FEEDBACK BY DAVID JOSELIT
By MARTINA TANGA Media-America is a place where the consumer is alienated, without freedom of speech, and most importantly, without freedom of choice. David Joselit sets up and describes a…
By MARTINA TANGA Media-America is a place where the consumer is alienated, without freedom of speech, and most importantly, without freedom of choice. David Joselit sets up and describes a…
By HEIDI MARSTON What’s good about the Art Fairs? Here is one thought, you get to meet a lot of people who are interested in looking, making and collecting stuff.…
By JOHATHAN FARDY Jacques Derrida spent much of his late career pointing out the relations between the words “response” and “responsibility.” The late Felix Gonzalez-Torres’ installation “Untitled” (Placebo), currently on…
By BRUCE CAMPBELL Architecture has been on many people’s minds lately; well due to speculation that the economy could possibly maybe be in a light recession due to the past…
By KAREN S. FEGLEY Located in the central lobby of South Boston’s Distillery complex of artists’ live/work spaces and small businesses—is a rough-and-tumble sort of place, a white-painted room with…
By JESS T. DUGAN Moyra Davey is an artist and photographer, based in New York. Her current exhibit, Long Life Cool White, is currently on display at the Fogg Art…
By STEPHEN V. KOBASA There was a box near his kiln full of all the pots he had shattered, like a collection of shards for Job to scratch his festering…
By DAVID O. AVRUCH The 100-plus lithographs, drypoints, mezzotints, woodcuts and linocuts that comprise Rhythms of Modern Life: British Prints 1914-1939, at the MFA until June 1, are labors of…
By SCOTT ALBERG Broken Home 1997/2007 at the Rose Art Museum is a provocative re-exhibition of a 1997 show of the same name held at the Green Naftali Gallery in…
By CHELSEY PHILPOT Perhaps Boston University’s School of Theatre, School of Music, lighting design majors, and dance programs, in realizing the sad state of the winter psyche, strategically timed the…
By SHANE LAVALETTE The following interview is a conversation between Shane Lavalette and photographer Matthew Monteith, discussing Czech Eden, published by Aperture in 2007, with photographs by Monteith. Their discussion…
By JORGE ESPADA VALENZUELA Jorge Espada Valenzuela: After being awarded the Traveling Scholarship from the School of the Museum of Fine Arts, you set out for a backpacking tour throughout…
By MONICA MCFAWN When I was a child, I remember being read “In the Troll Wood,” a strangely compelling picture book. Its characters were trolls, fairies and princesses–not exactly the…
By JASON DEAN In 2006, brothers Lucas and Jason Ajemian transcribed the Black Sabbath song ‘Into The Void’ backwards and arranged it for a classical orchestra. The piece, entitled ‘From…
By JESS T. DUGAN Big Red & Shiny writer Jess T Dugan sits down with Daron Manoogian, Director of Communications at the Harvard University Art Museums (HUAM), home to the…
Belgian artist David Claerbout’s first museum survey exhibitition in the US will open this Friday at MIT’s List Visual Arts Center. In an article I wrote about his work in…
By JESS T. DUGAN Jess T. Dugan: How did you begin making photographs? Susan Wides: My first photo project was a booklet of aerial photographs of the World’s Fair in…
By ROANNA FORMAN In her first show as curator, painter and installation artist Pamela Sheridan juxtaposes the works of three artists – painter Jeff Suarez, photographer Carol Gaudreau and her…
By JON PETRO The Newbury Street art scene is pedestrian by location and concept. By which I mean, it’s neither dead or alive; it simply exists because of what it…
By SCOTT ALBERG Chip Hooper’s ten silver prints, from the series New Zealand’s South Pacific and Tasman Sea, exhibited at the Robert Klein Gallery, are on first glance evocative of…