By ARTHUR WHITMAN Currently up at the DeCordova, Big Bang! Abstract Painting For The 21st Century, surveys the current state of the venerable genre. The best work in the show feels classic but not pedantically backward-looking, mindful of history while…
By CHARLES GIULIANO “Nobody wanted to show in January,” related my colleague, the artist Linda Leslie Brown, during the opening of her show last night at the cooperative Kingston Gallery in the SOWA art district of Boston’s hoppin South End.…
By JON PETRO I once attended a lecture where Zach Feuer, ex-Bostonian and proprietor of a number of galleries in NYC, spoke to an audience of 20 or so newbies about how to make it in our current art market.…
By BIG RED October 20, 2006 Candid snaps from a Big RED night on-the-town at GASP for the show “Option Control Escape” curated by Reese Inman. Gallery Artists Studio Projects (GASP)
By BIG RED April 4th 2006 Candid snaps from a Big RED night on-the-town at the Rhys Gallery for the opening of Synergetic, featuring the work of Lana Z. Caplan, Harvey Loves Harvey and Reese Inman Photos by James Manning.…
By LUANNE STOVALL Once upon a time, there lived a young woman who dreamed of a beautiful place where the intoxicating passions of the Muse could thrive. During the course of her historic odyssey, she became an ardent community supporter,…
By BIG RED NEWS EDITOR NAO Gallery director Karine Jouenne has announced that her gallery will be closing this fall. In a recent email, Jouenne said that NAO “will not be able to financially sustain the gallery beyond the end…
Big Red & Shiny: AN INTERVIEW WITH WILLIAM STOVER By REESE INMAN Cerith Wyn Evans’ first solo US museum survey was presented at the Museum of Fine Arts, Boston, from Oct 6, 2004 – Jan 30, 2005. The exhibition included…
By KARINE JOUENNE & REESE INMAN Print this article So what’s so important about Synthetic Art anyway? Why bother to give it a name? There’s nothing new about artists using the computer, after all… At this point, in the spirit…
By REESE INMAN Print this article While I’ve followed Corinn Flaherty’s work with interest over the past year or so, it’s apparent upon viewing her latest installation, “Personal Topography,” at the Rhys Gallery that the artistic vision and exploration has…
By KARINE JOUENNE & REESE INMAN Print this article Artist Ken Feingold, interviewed by Karine Jouenne at his New York studio in July, considers the idea of Synthetic Art an interesting and relevant curatorial proposition and sees such fundamentally hybrid…
By KARINE JOUENNE & REESE INMAN Print this article As part of a continuing series proposing an interpretation of ‘Synthetic Art’, this issue presents a conversation between gallerist/curator Karine Jouenne and artists Reese Inman and Brian Knep. — Synthetic: Relating…
By KARINE JOUENNE & REESE INMAN Print this article Over the next few months, Big RED is proud to present a series of essays by Jouenne and Inman as they develop a language and a history of Synthetic Art. –…
By REESE INMAN Print this article The artists of “Incremental Disruption” comprise a fascinating triumvirate. NAO director Karine Jouenne’s curatorial statement references technology writer Michael Schrage’s influential arguments for the transformational power of small, incremental changes, stating that the exhibition…
By REESE INMAN Print this article Wake up, Boston. Shed the winter lethargy, stretch your limbs, send a few leaves in the direction of the sun and go see “Office Plants.” Bearing titles such as Canna adaptus electric (120V) and…
By REESE INMAN Print this article This review came about as a sort of extended response to Charles Giuliano’s Jan. 9 comments re: Daniel Dueck and Lily van der Stokker at Allston Skirt Gallery. With characteristic frankness, Charles writes: “Once…
By SHIN YU PAI Print this article Last fall marked the debut of The Analogous Series, a new multimedia events series run by poet and art critic Tim Peterson and hosted in Cambridge. Focusing on curating together poets with visual…
