Browsing: Volume 1 : Issue #44

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EVA HESSE HAUNTS NEW YORK

By KAREN SCHIFF When the Museum of Modern Art reopened in Manhattan, Eva Hesse’s sculptural assemblage of knee-high translucent rumpled cylinders, “Repetition Nineteen III” (1968), was installed behind a wall that held a large Agnes Martin painting. The pairing was…

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PROFILE: JEFFREY ELLSE

By ANNA FAKTOROVICH The message is on the wall, in the yellow rectangle drawn around the eleven oil portraits on panel. Jeffrey Ellse’s art is trapped in rectangles. His art expresses a fear of expression. Psychological barricades are erected in…

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AIR ARTIST KELLY SHERMAN

By CHRISTIAN HOLLAND When Kelly Sherman began her residency at the Berwick Research Institute’s Artist in Research (AIR) program, she had set out to create a project based on seating arrangements at weddings. When I heard this, I suspected that…