Maria Magdalena Campos-Pons

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Articles

By Dell M. HamiltonJune 1, 2017 0

Inside/Out: Part 2: Reflecting “Black Performance Art” – On Chapters of Genealogy

“There is both capricious absurdity and poetic impossibility in the realm of the unconscious lapses of time that constitute dreams.”[1] -Maria Magdalena Campos-Pons While I reflect upon the indeterminacy of global political conditions, I continue to be buoyed by…

Articles

By Caroline BagenalMarch 15, 2017 0

“As I See You, You See Me”

Observance: As I See You, You See Me (up through April 8 at the Montserrat College of Art Gallery in Beverley, MA) is an exhibition of portrait photography that features multiple viewpoints on identity. Curated by Leonie Bradbury, the variety…

Feature

By Leah Triplett HarringtonMarch 3, 2016 0

A Pan-American Alchemy: María Magdalena Campos-Pons at the PEM

Born in 1959 in Cuba, María Magdalena Campos-Pons first came to Boston through a MassArt exchange program in 1988. After arriving in Boston, Campos-Pons began bringing a variety of media, including photography, video, and performance, into her painting practice. Campos-Pons’s…

Interviews

By Ben SloatOctober 15, 2013 0

Interview with Maria Magdalena Campos-Pons

Ben Sloat One theme that has always struck me about your work (and seen most recently My Mother Told Me at the Tufts University Art Gallery) is that of impermanence: the impermanence of history, the impermanence of one’s experience, but…

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