As we rapidly approach tomorrow’s Big Red Shindig, we want to share with you work from some of the great artists we’ll be showcasing. This year we’re excited to partner with Kathleen Smith Redman, Exhibitions Director at the New Art Center…
There are only two more days until our fourth BIG RED SHINDIG, our annual fundraiser and celebration of the launch of our new website. Again with generous support from our friends at the Mills Gallery at the Boston Center for the Arts, Panopticon Imaging,…
“Boston Common” highlights the people and organizations that shape Boston and New England’s cultural sector by going straight to the source to find out who they are, what they are doing, and how and why they do it. We hope…
Corita Kent and the Language of Pop is a tight survey, focused primarily on the work Kent and other pop artists produced in the mid-1960s. This span of time also maps onto Vatican II, the Catholic church’s ecumenical council that…
Artist Samuel Rowlett, whose work mines the relationship between studio practice, community engagement and exploration, is hitting the streets today with his mobile portrait painting studio. Taking inspiration from peripatetic painters of the 19th century who roamed the rural Northeast, Rowlett will…
“There’s nothing simple about getting back to nature.” Steve Locke, who curated Arcadia: Thoughts on the Contemporary Pastoral at the Mills Gallery, Boston Center for the Arts, began his gallery talk with this cautionary statement, and a gift for each…
Mare Liberum is self-described as “a freeform publishing, boatbuilding and waterfront art collective based in the Gowanus area of Brooklyn, New York.” While the group is in residence at Harvard’s Carpenter Center for the Visual Arts, they continue their ongoing…