By BIG RED October 14th 2006 Candid snaps from a Big RED night on-the-town at the opening reception for the exhibit “PURE”, an exhibit performances and works by more than 70 artists at a former office supply superstore in Brighton…
By BIG RED October 21, 2006 Jane Farver and Bill Arning of MIT asked Big RED & Shiny to co-host a tour for the Friends of Boston Art group on Saturday, October 21. Big RED ‘s Matthew Nash helped put…
By BIG RED Saturday October 14th 2006 Candid snaps from a Big RED exclusive day behind the scenes at the taping of episodes 5 & 6 of the “Art Show Down” game show at Art Interactive. Art Interactive Art Show…
By BIG RED October 12th 2006 Candid snaps from a Big RED night on-the-town at the opening “Soiree for France: Between Then & Now”, photography and collage by Roland Smart at the French Library and Cultural Center. French Library and…
By BIG RED Thursday October 12th 2006 Candid snaps from a Big RED night on-the-town at the opening of “Tabitha Vevers: Distant Shores” at Pepper Gallery. Pepper Gallery
By BIG RED October 20, 2006 Candid snaps from a Big RED night on-the-town at GASP for the show “Option Control Escape” curated by Reese Inman. Gallery Artists Studio Projects (GASP)
By BIG RED NEWS EDITOR The big question around Boston for the past few months has been “when will the ICA finally open?” Originally scheduled to open on September 17, construction delays forced a postponement of the opening, and a…
By THOMAS MARQUET #5: Thomas Marquet’s comic strip about life in a gallery. “The White Cube” comics can be read in series in the Big RED & Shiny Collections section. Thomas Marquet is a cartoonist, sculptor, and critic, based in…
By ANONYMOUS ART DEALER Q: As an Italian artist based in Italy, do you think I have any chance at all to get representation in the U.S.? If so, how should I go about it? A: Dear Italian Artist, Get…
By CHARLES GIULIANO It may or may not make a difference to know the collage and assemblage based work of the leading Pop artist, Robert Rauschenberg, prior to experiencing this fast paced revue of sketches written by Charles L. Mee,…
By KATHLEEN BITETTI Congrats to Big Red on the 50th issue! Turning 50 usually means that one re-examines their goals and/or sets new goals. Here are some of my goals that I hope happen by the time Big Red has…
By MATTHEW GAMBER Like the 49 issues that have come before, we offer the 50th serving of articles, reviews, news and columns. Our first reaction was to congratulate ourselves and offer some kind retrospective, as it is the convention. This…
By JASON DEAN Editor’s Note: In issue #46 of Big RED, Jason Dean wrote about a lecture by the collaborative eTeam and “International Airport Montello” project. After that piece was published, Dean became a part of the project, and in…
By JENNIFER MCMACKON To know what our neighbor knows takes some doing. Reading the same newspapers and fitting our bodies to the same machines gives some comfort, but the isolation persists…. people try to explain to one another what happens…
By MICAH J. MALONE The Frederic C. Hamilton building at the Denver Art Museum opened with much fanfare only a few weeks ago. Designed by World Trade Center architect Daniel Libeskind, the new building is a tour de force of…
By JANE HUDSON Print this article Eve Sussman has risen to international renown over the past two years since her ’89 Seconds to Alcazar’ premiered at the Whitney Biennial two years ago. The piece, a tableau vivant of Velasquez’ Las…
By SCOTT ALBERG The 13 artworks that comprise Matthew Cerletty’s Fallingwater at Boston University’s Sherman Gallery show the artist building on the themes of his earlier realist portraits while engaging in a kind of conceptual figuration. His previous figurative work…
By JEREMIAS PAUL A pure examination of the artists and work in “PURE”. Links: reAnimation Studios “Pure” is on view until Novemer 12th at the Brighton Hills Shopping Center (in a former office supply superstore), located at 400 Western Ave,…
By STEVE AISHMAN Douglas Weathersby’s current exhibitions at three different sites can each be viewed as individual exhibitions, but they can also be viewed as one large, multi-state exhibition. More correctly, all of Weathersby’s work for the past few years…
