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Feature Rikrit
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See It Before It’s Gone: DRAW/Boston at MassArt

DRAW/Boston, an exhibition of over 60 artists curated by Tomas Vu, toys with scale, color, style, and sound, wedding the scholarly air of a professional university gallery with the aesthetic resemblances of a working artist’s studio. The arrangement alone warrants…

Articles View More: http://cargocollective.pass.us/macpressconference
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Portrait of the 2016 Montreal Biennial

My favorite piece in the 2016 edition of the Montreal Biennial was also the oldest by nearly five centuries: Lucas Cranach the Elder’s Portrait of a Lady. Like any anatomically correct 16th century woman, her waist is the width of…

Feature Cooper_Diago_Exhibit_(MelissaBlackall)_-11
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ISSUES OF POWER: Resilience and Healing

“With my work I reaffirm black cultural values in the contemporary world.” – Juan Roberto Diago Durruthy, 1998 Curated by Alejandro de la Fuente, Diago: The Past of This Afro-Cuban Present at The Cooper Gallery presents Juan Roberto Diago Durruthy’s first…

Feature IssuesofTrustII-bench
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Scaffolding For Future Repairs: A Goldstein Reflex

I first experienced Audrey Goldstein’s work at the Museum of Fine Arts (Boston, MA), after she had won the SMFA Traveling Fellowship in 2007. Goldstein exhibited two healing machines: “Generosity Generator” and “The Medicine Cabinets”, which investigated our internal systems,…

Articles Installation view, Embodied Absence: Chilean Art of the 1970s Now, Carpenter Center for the Visual Arts, Sert Gallery, Oct 27, 2016–Jan 8, 2017. Shown: Luz Donoso, 
Señalamientos con cuerpo estrecho (Signage with Narrow Body), c. 1979. Courtesy Carpenter Center for the Visual Arts, Harvard University.
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See It Before It’s Gone: Embodied Absence

In a playful sequence from Cecilia Vicuña’s 1980 film Sol y Dar y Dad, una palabra bailada, a danced word, the viewer’s attention is directed towards a female character, presumably the artist. Her back is leaned against the door of…

Articles afbcombo-2
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Art for Breakfast: Liao Fei’s Perspective

Liao Fei’s exhibition at Yve Yang gallery at first glance seems to be a work in progress: perhaps even a transition between shows. Remarking on surveillance culture, Fei’s quiet exhibition not only gives visitors the uneasy feeling of being watched,…

Feature Alex Da Corte,
Lightning, 2015-2016. Installation view of Alex Da Corte: Free Roses, MASS MoCA. Courtesy the artist and Luxembourg & Dayan.
Photo: John Bernardo.
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Remixing Rimbaud; Alex Da Corte at MASS MoCA

My life is worn out. Well, let’s pretend, let’s do nothing! oh, pitiful! And we will exist, and amuse ourselves, dreaming of monstrous loves and fantastic worlds, complaining and quarreling with the appearances of the world, acrobat, beggar, artist, bandit,…

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