Browsing: Articles

Articles Bill Balaskas, The Market Will Save Us, 2016. Boston performance. Curated by Lanfranco Aceti. Photography by Hilary Scott.
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Participating in the Spectacle

On September 30th, I, along with a small group of skeptical but cooperative volunteer-participants, an eager and unassuming college marching band, and one very enthusiastic curator with a megaphone, gathered at the entrance of the historic Boston Common. Together we…

Articles C.D.B. (Columbus Day Blues), October 14, 2013, 2-hour roving performance, Museum of Fine Arts/Boston. Photo credit: Terrence Jennings
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Inside/Out: The Long Night, After & Then

Inside/Out is Big Red & Shiny’s artist-in-residence series, offering a space for artists to write about their ideas, research, and challenges, and publish their inspirations, obsessions, creative experiences, and insights. Unlike an ‘Open Studio’ format, which is often predicated on potential sales, BR&S…

Articles Diana Jean Puglisi, "approach the amber flits," 2016, Courtesy of the artist
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Inside/Out: It’s Nice to Talk

I recently had the opportunity to engage in a wonderful conversation with Betty Jarvis, a recent Master’s graduate from the Art History program at Rutgers University.  I find that conversations outside of the studio are just as important as your…

Articles Rosie Ranauro, 2016. "Try not to hurt yourself." Digital media.
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Real Work: An essay on ableism and art

“I make these when I’m not making my ‘real’ work.” I heard this statement fall out of my mouth and stopped myself, horrified. I was at the opening of the BLAA Summer 2016 exhibit You Think It’s ____, But It’s…

Articles Samantha Fields, from Meditations on the Tide. Courtesy of Sue Murad.
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Art in Service #4: Documentation

The question of documentation is rooted in the history of the avant-garde. Think of Dadaist or Surrealists recording their work via sound or the nascent technology of film. Think of Hans Namuth filming Jackson Pollock as he dripped his paintings…

Articles Superimposed MBTA maps. Courtesy of Julia Csekö.
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Art Criticism: Risk Response

“The best art speaks for itself,” someone stated at a recent public discussion about Boston Creates. My immediate internal response was yes, but art also prompts, at times even goads, us to speak or write. I concede that art is,…

Articles Amanda Williams, Pink Oil Moisturizer (Fall; Overall), 2014. From the Color(ed) Theory Series. Via awgallery.com
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Art in Service: Quality

Since 2013 I’ve been focused—educatively, academically, artistically—on ‘socially-engaged art’ and the idea of learning in public.(1) Over the course of the last ten years, I’ve grown to understand the the site of my own work (as a curator, educator, artist…

Articles Antony Gormley, Chord (2015). Courtesy of the artist.
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Chord: Antony Gormley at MIT

Known for his work that confronts the fragile limits of perception and physicality, British sculptor Antony Gormley has confronted the human body throughout his career. In Chord (2015), a new public work permanently on view at MIT, Gormley challenges the…

Articles Alice Mizrachi’s Mother, Maiden, Crone (June, 2016)  in Downtown Worcester. Courtesy of Che Anderson.
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Art in Service #2: Who Is It For?

Each day that you and I choose to venture outside of our dwellings, we navigate streets, sidewalks, and other public infrastructure made not by us, but for us by other people who, assumedly, had our best interest in mind when…

Articles Arthur Henderson, "Sex Not Sex" at VERY, 2016, Install Shot. Photo: Stewart Clements.
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Arthur Henderson: Sex Not Sex

The sculptures in VERY’s inaugural show, Sex Not Sex, inhabits the space in much the same way as the patrons at the opening: some sitting, some standing, others propped against the wall. In a gallery that feels more like a…

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