Ana Mendieta (1948-1985) wasn’t the first, nor will she be the last female artist to use her own body, feminine processes, and the stuff of the earth in her art—of her generation, Judy Chicago and Kiki Smith immediately come to mind. But when I viewed Mendieta’s work at the Rose Museum at Brandeis University recently, … Continue reading Stilled Ambition, Enduring Truth: Ana Mendieta