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Installation view, Embodied Absence: Chilean Art of the 1970s Now, Carpenter Center for the Visual Arts, Sert Gallery, Oct 27, 2016–Jan 8, 2017. Cecilia Vicuña, Vaso de Leche, Bogotá (Glass of Milk, Bogotá), 1979. Courtesy Carpenter Center for the Visual Arts, Harvard University.


About Author

Lisa Crossman is an art historian and the Koch Curatorial Fellow at the Fitchburg Art Museum. She holds a PhD from Tulane University, specializing in the modern and contemporary art history of Latin America. She comes to the Big Red & Shiny team with a range of professional experiences, including her recent work with the Cultural Agents Initiative at Harvard University.

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