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Installation view, Embodied Absence: Chilean Art of the 1970s Now, Carpenter Center for the Visual Arts, Sert Gallery, Oct 27, 2016–Jan 8, 2017. Floor: Carlos Leppe, Las Cantatrices, 1979.  Left: Francisco Copello, Il Gioco dell´Ambiguita (The Ambiguity Game), 1977. Center: Catalina Parra, Imbunche gigante (Giant Imbunche), 2016.  Right: Cecilia Vicuña, Sol y Dar y Dad, una palabra bailada, a danced word, 1980. Courtesy Carpenter Center for the Visual Arts, Harvard University.

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About Author

Lisa Crossman is an art historian and the Koch Curatorial Fellow at the Fitchburg Art Museum. She holds a PhD from Tulane University, specializing in the modern and contemporary art history of Latin America. She comes to the Big Red & Shiny team with a range of professional experiences, including her recent work with the Cultural Agents Initiative at Harvard University.

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