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Installation view, Embodied Absence: Chilean Art of the 1970s Now, Carpenter Center for the Visual Arts, Sert Gallery, Oct 27, 2016–Jan 8, 2017. Shown: Luz Donoso, 
Señalamientos con cuerpo estrecho (Signage with Narrow Body), c. 1979. Courtesy Carpenter Center for the Visual Arts, Harvard University.

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About Author

Lisa Crossman is an art historian and the Koch Curatorial Fellow at the Fitchburg Art Museum. She holds a PhD from Tulane University, specializing in the modern and contemporary art history of Latin America. She comes to the Big Red & Shiny team with a range of professional experiences, including her recent work with the Cultural Agents Initiative at Harvard University.

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